http://eepurl.com/bAqcLL to open the link to Newsletter No. 8 Check out Tim Reichelt's exhibition - Close up, at the Arts Centre - Gold Coast City Gallery from 3rd - 30th October 2015. Click on the link above to see details of the exhibition. Three of the images are posted below. Contact Tim on tim@troz.net to enquire about his other images or to purchase. Check out Tim's website http://tim.troz.net/ to see more beautiful images.
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Hot off my easel
27/9/2015
Five new abstract paintings have been added to my Serendipity gallery. They are all synthetic polymer paint offered at a very affordable price. Check them out by clicking on the image. Data Chips - Hot off my easel.
26/9/2015
See my latest blog in my blogspot on to see how I created this artwork.
http://gaylereicheltart.blogspot.com.au/2015/09/data-chips-add-more-paint-series.html Gayle Reichelt Art Newsletter No. 7
20/9/2015
Click on this link to see my latest newsletter http://eepurl.com/bzeuSH
Organic Alchemy: with Alicia Tormey
19/9/2015
Click on the link above to take you to an excellent video by Alicia Tormey that looks into this artists creative process with Encaustic. It is an excellent video and well worth a look for those that want to see some of the ways in which Encaustic is applied.
30 day challenge
16/9/2015
On September 2, I joined a Facebook challenge called #judyschallenge. For this challenge, there are no set rules beyond starting with a blank canvas, and using acrylic paints deciding on the time-frame (it doesn't necessarily have to be 30 days - just whatever you choose), then each day add a little then photograph and post the result. You can spend 30 seconds or half an hour each day, or whatever amount of time you choose each day. Just make sure you add some and then photograph and post the result. In this post, I will add my progress daily of my first effort and see how far I get. Note: I got as far as 7 days. This is my final painting. Beneath the Surface. Day 7 Final image. My final touches are just a little dark and light turquoise paint splattered across the surface. I decided to stop here - as I really like this painting as is. I am going to call this painting "Beneath the Surface" The painting is for sale at a very reasonable price. Check out my Serendipity folder in my Galleries tab. DAILY CHALLENGE
13/9/2015
This is my 2nd Challenge exercise, starting with a blank canvas and adding some paint every day. I am aiming for 30 days, but if I reach a point where I absolutely love the painting, I will stop there. I wonder how far I will get. GAYUNDAH: ON THE BEACH
12/9/2015
My latest painting in "The Last Fleet" project is this huge painting of Gayundah. The canvas is 2 metres x 1.5 metres. I had the canvas made up for me by Eckersleys and initially, when I saw the size of the canvas, I panicked, thinking how am I ever going to do justice to this painting on such a large canvas. But, having purchased the canvas, I had no choice but to push on, so bit the bullet. Step 1. I made a pencil drawing. Step 2. Took a photo of my drawing and uploaded it to my computer. Step 3. Transferring the pencil drawing to my canvas by projection. Step 4. Securing the canvas to my easel ready to paint. My dear husband secured the canvas to my easel for me but forgot to look at the front to make sure it was the right way up, which I thought extremely funny. But we righted it, and it is now ready to paint. Step 5. The painting begins. A smaller version of this painting can be commissioned. Contact Gayle for a quote.
Gayle Reichelt Art - Newsletter No. 6
30/8/2015
Gayle Reichelt Art presents inaugural exhibition by John Reichelt - Deep Sky Images - http://eepurl.com/bw8c3b
WHAT IS ENCAUSTIC?
26/8/2015
Currently I have an exhibition at the Arts Café at the Gold Coast City Gallery. The works being exhibited are 10 Encaustic paintings. I also have one Encaustic painting hanging in the Border Art Prize at the GCCG. When asked about my art practice, I tell people that the latest passion in my artwork is that I have begun exploring the art of Encaustic. Many people have not heard of beeswax being used in artwork, and I am frequently asked, “What is Encaustic”. Following is a brief background: Encaustic is a Greek word meaning “to heat or burn in” (enkaustikos). Heat is used throughout the entire process of encaustic painting, beginning with the melting of beeswax and damar resin to fusing in layers of wax. Encaustic consists of natural bees wax and damar resin (crystallized tree sap) and is used in a molten state (please note - not damar varnish). The clear encaustic medium used alone has a beautiful transparency, as well as adhesive qualities – and many encaustic artists frequently use collage in their artwork. Colour can be obtained by adding pigments to the medium. Encaustic medium is melted and applied with a brush or any tool that the artist can find to create beautiful texture and markings. Each layer is then reheated with a heat gun or torch to fuse it to the previous layer. Encaustic painting is one of the world’s oldest art forms. Despite being over 2000 years old, encaustic works are still on display in museums today, withstanding the test of time with minimal cracking and without having faded or darkened in colour. Three thousand years ago, beeswax and pigments were used by Greek shipbuilders to caulk and adorn their sailing ships. As well, it was used by Greek artists to adorn sculptures, murals, and even architecture. They also used wax paint to highlight the marble statues around the Acropolis. About 1000 years later, during the Fayum period, Egyptian artists began to use encaustics to paint their incredibly beautiful and durable mummy portraits. The most well known of all encaustic works are the Fayum funeral portraits painted during the 1st through to 3rd centuries A.D. by Greek painters in Egypt. A portrait of the deceased, generally one that was painted during their prime of life, but sometimes after death, was placed over the person’s mummy as a memorial. Many of these ancient encaustic works are still survive today, and the colour has remained fresh due to the protection of the wax. Because the ancient techniques of using encaustic was very laborious and time consuming, during the Middle Ages, artists began to turn to using tempera, fresco and oil painting techniques that did not require the use of charcoal fires which was required to liquefy the wax paints. Encaustic faded into obscurity for centuries, but in recent times has experienced a renaissance. In the 1920’s Mexican artists such as Diego Rivera sometimes used encaustic painting, and Belgian artist James Ensor also experimented with it. In the 1950’s and 1960’s, Jasper John became one of the few artists who began using encaustic as his mainstream artwork, and gained acclaim for his flag series of encaustic paintings. During the 20th century, there has been a rebirth of encaustic on a major scale. Today the easy availability of portable electric heating devices and the variety of tools has made the use of encaustic more accessible, and it is gaining in popularity with artists around the world. Encaustic is a very popular medium with many artists today as it is an extremely versatile medium. Artists can paint, print, collage, and sculpt. It can include mixed media applications such as photography, paper arts, and digital art.
Care of Encaustic Art: Encaustic artworks are extremely archival, but as with any fine art, care must be taken. There is no fear of the work melting in normal conditions, as the wax and resin will not melt unless exposed to temperatures over 65 degrees Celsius (or 150 deg Fahrenheit). It would not be advisable to leave a painting in a car on a hot day, nor hanging it in front of a window with direct hot sunlight. They are also sensitive to freezing cold temperatures. Sometimes, over time, the colours can “bloom” or become cloudy. If your painting appears indistinct, simply rub the surface with soft material like an old tee shirt, or a nylon stocking. The work will then regain its gloss. If you Google Encaustic, there is a mountain of information available on the web about Encaustic painting, how to apply it, how to make the medium. There are also many excellent books available - my two favourites are "The Art of Encaustic Painting" by Joanne Mattera, and "Encaustic Art" by Lissa Rankin. But there are many more. Also there are many Encaustic Art Groups on Facebook, and I have learnt so much from the wonderful artists that share their work and information on Facebook. References: http://www.eainm.com/what-is-encaustic/, http://www.visual-arts-cork.com/antiquity/fayum-mummy-portraits.htm, http://encausticpaints.com/Resources/HistoryofEncaustic/tabid/407/Default.aspx John Reichelt - Astronomy Images
20/8/2015
My husband John Reichelt is making his debut as an Astro Photographer. His first published images are now in the tab Galleries - called Astronomy Images - John Reichelt in this website. He will be having his first exhibition at the Arts Cafe, Gold Coast City Gallery, 135 Bundall Road, Surfers Paradise. Qld for the month of October 2015. All of his images are for sale and they can be purchased either through my website, or at the Arts Cafe in the month of September. The telescopic images have been printed on Face Mounted Acrylic and look sensational. They are 41cm x 60cm in size, but larger images can be ordered for purchase. Please contact me through my website to obtain a quote. Featured here are three of the images. Please check out more images in the Astronomy Images Gallery in this website. Two multi media Queensland artists, Gayle Reichelt and Bronwyn Doherty are having an exhibition "Just Below the Surface" in the Royal Queensland Art Society (Brisbane Branch) Gallery, at Petrie Terrace Gallery, 3/162 Petrie Terrace, Brisbane 4000 from 13th to 25th October 2015. Their works will include the ancient 2000 year old medium of Encaustic (hot beeswax) and resin.
Gayle’s work explores her passion for colour and texture. Her artwork has evolved from an early focus on realism, through surrealism, to exploring the abstract inspired by nature. A recurring theme since 1996 has been of reviewing the fate of abandoned human manufactured objects in the natural environment. Gayle’s latest development has been ancient 2000 year old technology of encaustic - (hot beeswax and damar resin), giving her work a new look with an ancient medium. Gayle also has an upcoming exhibition at the Gold Coast City Gallery from 6 February – 27 March 2016. Inspired by weathered shipwrecks, The Last Fleet thematically reviews their fate when abandoned in the natural environment. The work is heavily textured and focuses on the history of the inevitable treatment by elements of weather and time, portraying evidence of erosion, mould and decay, as well as damage inflicted by mankind. Gayle was fascinated with art from a very early age, and began painting in 1979 whilst living in Deniliquin, NSW. She obtained a BA Honours Degree in 1996 through La Trobe University Bendigo, Victoria, and moved to Queensland in 2000. Gayle has had success in many solo and group exhibitions for the past 36 years. There will be a demonstration by Gayle on Encaustic on Saturday 16th October 2015 from 2pm - 3.30pm upstairs in the gallery. Bronwyn has a multi faceted art practice, primarily a focus in painting but in recent years, she has developed an attraction to resin, which has translated into jewellery and lamps. Through different mediums, there is a shared focus, the interplay of surface pattern, colour and light. Bronwyn’s painting style is in essence a combination of abstract pattern and texture that captures the feel of the landscape with cameos of realistic imagery. Bronwyn is a Brisbane based artist originally from Sydney, where she trained as an Art Teacher and has been teaching and practicing art for the past 38 years. She feels that she is fortunate to work in an area which is also her passion. One important milestone was being selected and hung in the Portia Geach Portrait Prize in 1985. Gayle and Bronwyn’s works would be of interest to other artists wanting to learn new approaches using Encaustic and Resin as well as members of the public interested in unusual forms of art created from natural materials. Exhibited pieces will include Encaustic, Oil, Acrylic and Charcoal paintings and drawings, hand made cast resin jewellery, and hand made resin lamps. Check out Gayle’s website to see her artwork on http://www.gaylereicheltart.com/ Bronwyn’s work can be found on http://www.bronwyndohertyart.com/ High resolution images are available upon request. Gayle Reichelt Art Newsletter No. 5
7/8/2015
I have just issued Gayle Reichelt Art Newsletter No. 5. Please click on the link below to view the newsletter. If you wish to subscribe to my mailing list, please add your name and email address to the Mailing List link.
http://eepurl.com/bvi7Z1 Ten of my abstract Encaustic paintings are currently being exhibited at the Arts Cafe, Gold Coast City Gallery - from 31st July until 28th August 2015. The paintings below are being exhibited:
Border Art Prize 2015
25/7/2015
My painting, HMQS Gayundah - Final Port, Encaustic painting, is being exhibited in the Border Art Prize 2015 at the Gold Coast City Gallery, 135 Bundall Road, Surfers Paradise. Qld 4127 from 25th July until 6th September 2015. Opening night is Saturday 25th July at 6.00pm.
The above four paintings are submitted into the 125th RQAS Annual Members Show.
Exhibition dates from 14th July - 2nd August 2015. Opening night - 14th July 7 for 7.30pm. Petrie Gallerie. 162 Petrie Terrace Brisbane. Hope to see you there for the opening - or alternatively sometime during the duration of the exhibition. I have just issued Gayle Reichelt Art Newsletter No. 4. Please click on the link below to view the newsletter. If you wish to subscribe to my mailing list, please add your name and email address to the Mailing List link.
http://eepurl.com/bsEb2L Four of my paintings selected as finalists in the McGregor Lions Art Extravaganza 2015, held at Westfield Garden City, Logan Road, Upper Mount Gravatt. Qld. from July 6th to July 19th 2015
Originally I painted the oil version of Gayundah to enter into the Border Art Prize 2015 run by the Gold Coast City Art Gallery, but after painting it, found that it didn't meet the size criteria for that exhibition, so I decided to paint an Encaustic version of the same image. Below are stages of how I created the Encaustic version of this work.
Lethbridge 10000 Small Scale Art Award
12/6/2015
All artwork in the Lethbridge 10000 Small Scale Art Award is now online. Opening night and announcement of the winners is Saturday 13th June from 6pm at 136 Latrobe Terrace, Paddington. Qld.
I have one painting in the finalists, and two in their online gallery. Check out my work and others on http://www.brettlethbridge.com/ HMQS Gayundah - The Final Berth
6/6/2015
I am very excited about my latest painting - HMQS Gayundah - The Final Berth. It is very large - 120cm x 76cm - Oil on Canvas. My favourite for a long time. Below are photos of the construction in stages of this work. Being a very large work, and the weather being so nice, I started painting it outside on the verandah next to my No. 1 studio (No 2 studio is my Encaustic studio). I painted the first 3 stages outside, but stage 4 and 5 (the final day) I had to bring it inside, as the weather had become a lot colder and very windy. If you are interested in purchasing this work, or other works in this or other series, please visit my Galleries tab. This painting will form part of my "The Last Fleet" exhibition at the Gold Coast City Gallery in February 2016, but I will probably also enter it into at least one major Art Prize exhibition in the meantime. My latest Cherry Venture painting
3/6/2015
Just completed my last, and probably final Cherry Venture painting. Now to move on to other shipwreck paintings. I have some underwater shipwreck scenes that plan do start on soon. Watch this space.
This Cherry Venture painting is quite large and painted with Oil on Canvas. You can see it in my The Last Fleet Gallery in my Gallery tab. Gayle Reichelt Art Newsletter No. 3
29/5/2015
http://eepurl.com/bnOBLP
I have just issued Gayle Reichelt Art Newsletter No. 3. Click on the link above to read my newsletter. Please subscribe to my mailing list if you wish to receive future newsletters in your inbox. Back issue: For Gayle Reichelt Newsletter No. 2, please click on the this link. http://eepurl.com/bimI5H Exciting news. I have had one of my Encaustic paintings accepted as a finalist in the Lethbridge10000 Small Scale Art Award, and 2 others accepted for their online exhibition. The paintings accepted are: Kelp Beds, Floating Kelp Beds and Nets. The exhibition will be at Lethbridge Gallery, 136 Latrobe Terrace, Paddington. Qld from 13th - 28th June 2015.
Kelp Beds will be in the Gallery exhibition, whilst Floating Kelp Beds and Nets in their online Gallery. I have been offered a one month exhibition at the Gold Coast City Gallery for the month of February 2016. My exhibition will be titled "The Last Fleet" and will feature my shipwreck series, mostly in Encaustic, but also some oils.
Also, for the month of August 2015, I have a small exhibition of some of my Transition Series in the Arts Cafe at the Gold Coast City Gallery. In October 2015, I will be having a joint exhibition with Bronwyn Doherty at Petrie Terrace Gallery in Brisbane. More details to follow. |
Archives
June 2020
For as long as I can remember, I have been able to effortlessly and accurately sketch or draw an object or persons likeness. I had an innate ability to look at a person or object, and accurately gauge the size, shape and colour, and distance, memorise that information and put it down on paper. As a child and teenager, I particularly loved to draw faces to obtain a realistic likeness to that person. This love also extended to drawing animals, and a lot of my teen years was spent drawing both from magazine photographs and from life. This expanded both to drawing from life and using my own photographs as reference.
Later, when I wanted to paint a landscape, building, or portrait of a person, I would complete a charcoal or pencil work as a preliminary study to work out composition, light and shade, and get a feeling for the subject. This enabled me to see things as they really are. Most of the time, my drawings were complete artworks in themselves. Drawing dates back to pre-history and was the earliest form of non-verbal communication between humans. Drawing is a way to communicate thoughts and feelings, and enables us to see the world as it really is. As Leonardo da Vinci once said, “Painting embraces all the ten functions of the eyes, that is to say, darkness, light, body and colour, shape and location, distance and closeness, motion and rest.” Some artists live in one part of the Universe of Art and explore a theme or themes. I have been strongly attracted to the exploration of different mediums, across the whole Universe of Art.
My early years involved mostly oil and charcoal, with forays into watercolour, pastel and acrylic. With these mediums, I explored landscapes, portraits, abstracts and surreal. Recently, my life changed to allow more time for art, leading me into vigorous exploration of new areas of art. My two major new areas are encaustic art using hot beeswax and resin art using epoxy resin. At the same time, my life also changed with my marriage to a scientist with an interest in astrophotography and, with him, I have explored combining star images with charcoal drawings to convey the meaning of the Universe of Stars. Painting with hot beeswax: The ancient Greek art of encaustic painting with hot beeswax is another major realm in the Universe of Art. Moving into a new house with a new husband gave me the opportunity to explore this exciting new art realm, since this form of art needs considerable work in establishing a dedicated studio and developing new and unusual art techniques. From 2014 to 2016, I developed abstract, image transfer and realist works, the latter focussing on a shipwreck series, which culminated in a solo exhibition called “The Last Fleet” at the Gold Coast City gallery in 2016. I have also used the image transfer variation of encaustic painting to produce a series based on Australian native birds. Painting with resin: Over the last year, I entered yet another new realm of the Universe of Art: painting with epoxy resin. Like encaustic painting, this art form needs a dedicated studio, specific equipment, new techniques and a new approach to art. I am still exploring new variations of this exciting new realm of the Universe of Art but this exciting new area has already led to another solo exhibition called “New Beginnings”, at the One Arts Gallery, Isle of Capri, Gold Coast Queensland in the month of May 2017. What is resin?: Epoxy Resin used in art is an adhesive, plastic material made from synthetic polymers and mixed with a hardener in a specific ratio which varies for different brands. Coloured pigments are added, and the mixture is generally poured onto a surface, mostly MDF, but sometimes other surfaces. When cured, it becomes a very tough and hard surface. When resin, hardener and coloured pigments are mixed, it is in a fluid form and extremely sticky – a bit like honey. An artist has to work very quickly to achieve their art with resin as it starts to cure after about 40 minutes – although it is possible to work a little longer before it becomes more like toffee. Then it must be left undisturbed until at least the next day before progressing further with it. Frequently I work with multiple layers to achieve incredible depth, so depending upon how many layers I use, a good artwork can take several days to develop. The affects achieved with resin depend upon various ways that it is applied to the surface, and each artist develops their own techniques for manipulating the fluid medium to get the effects they want. There is much more involved than just “throwing coloured resin onto a surface”. An artist needs to develop a lot of skill to develop a unique and beautiful work. Applying heat either with a torch or heat gun is an important step for proper curing of the resin and hardener mix. Proper mixing and exact volumes of resin and hardener are required for adequate curing. Whilst it becomes quite solid to touch within 5 to 7 hours, it requires up to 48 hours for a complete cure. Epoxy Resin requires a moderate level of safety precautions to avoid contact with the skin and eyes as well as avoiding the accumulation of vapours in the room. I wear protective clothing, nitrate gloves, and work in a room with cross-flow ventilation and when using solvents, a carbon mask. |
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If you like my work, my website, or one of my blogs, please share with your friends on Facebook, Twitter or add a comment.
My artwork can be purchased in my Gallery page, or through #bluethumb I publish a newsletter from time to time, advising when and where I am exhibiting, and other interesting art news. If you would like to have your name added to my mailing list at the top of the page. If you with to enquire about an artwork, or a workshop or any other query, please use the Contact Gayle Reichelt form.
Copyright (c)Gayle Reichelt: ALL images contained in this site are under automatic copyright to the artist. Apart from fair dealing for the purposes of private study, research or review, as permitted under the Copyright Act, no part of any image may be reproduced by any process without write permission of the artist. Enquiries should be addressed to the artist. |